When we were shooting for the stars, 2020, Clear varnished archival pigment print, Dibond, satin poly-finished MDF, 60 x 25 x 5 inches
Almost full moon at Salton Sea, 2020, Archival pigment print mounted on Dibond, satin poly-finished MDF, graphite, brass, wood, postcard, gold liquid, 20 x 30 x 15 inches
Landscape with two bears, 2018, Archival pigment print mounted on Dibond, polished solid graphite panel, laminated graphite, poly-finished fiberboard, found objects, 20 x 30 x 4 inches
Landscape in the water, 2020, Pigment print, paint, Valchromat, 28 x 17 inches
Olympia 1988, 2017, Clear varnished archival print mounted on CNC-cut Dibond, polished brass discs, 45 x 35 inches
Extreme Competition-Poids, 2020, Clear varnished pigment print mounted on Dibond, poly-finished MDF, 40 x 35 x 5 inches
Yellow circle-Olympic kayak, 2020, Valchromat, pigment print, Dibond, wood, 30-inch diameter. Photo by Object Studies
Untitled_Landscapes High and Dry, 2020, Clear varnished pigment print mounted on Dibond, 45 x 30 inches
Night window, Salton Sea (Broken screen), 2020, Pigment print mounted on Dibond, 15 x 22 inches. Photo by Object Studies
Landscape in the night sky, 2020, Wood, brass, aluminum, stainless steel, copper, 45 x 20 x 10 inches. Photo by Object Studies.
In my private composition, 2020, Graphite, wood, brass, copper, stainless steel, painted plaster, Valchromat, 16 x 30 x 14 inches. Photo by Object Studies.
There’s our past, 2020, Painted plaster, Valchromat, archival pigment print, polished solid graphite, 14 x 26 x 7 inches. Photo by Object Studies.
Red horse jump, 2020, Painted plaster, Valchromat, dyed horse whip, 22 x 27 x 24 inches. Photo by Object Studies.
Dinner table on pechka, 2020, Valchromat, painted plaster, painted aqua resin, museum wax, archival pigment print mounted on Dibond, butcher’s glove, found postcard, driftwood, 21 x 26 x 24 inches. Photo by Object Studies.
Mount St. Helens, 2020, Archival pigment print mounted on Dibond, Valchromat, painted plaster, Optium acrylic, 25 x 18 x 10 inches. Photo by Object Studies.
Installation view of Myeongsoo Kim: Mother-Land, CUE Art Foundation, New York, NY, 2020. Photo by Object Studies.
Installation view of Myeongsoo Kim: Mother-Land, CUE Art Foundation, New York, NY, 2020. Photo by Object Studies.
Installation view of Myeongsoo Kim: Mother-Land, CUE Art Foundation, New York, NY, 2020. Photo by Object Studies.
Installation view of Myeongsoo Kim: Mother-Land, CUE Art Foundation, New York, NY, 2020. Photo by Object Studies.
Installation view of Myeongsoo Kim: Mother-Land, CUE Art Foundation, New York, NY, 2020. Photo by Object Studies.
Installation view of Myeongsoo Kim: Mother-Land, CUE Art Foundation, New York, NY, 2020. Photo by Object Studies.
When we were shooting for the stars, 2020, Clear varnished archival pigment print, Dibond, satin poly-finished MDF, 60 x 25 x 5 inches
Almost full moon at Salton Sea, 2020, Archival pigment print mounted on Dibond, satin poly-finished MDF, graphite, brass, wood, postcard, gold liquid, 20 x 30 x 15 inches
Landscape with two bears, 2018, Archival pigment print mounted on Dibond, polished solid graphite panel, laminated graphite, poly-finished fiberboard, found objects, 20 x 30 x 4 inches
Landscape in the water, 2020, Pigment print, paint, Valchromat, 28 x 17 inches
Olympia 1988, 2017, Clear varnished archival print mounted on CNC-cut Dibond, polished brass discs, 45 x 35 inches
Extreme Competition-Poids, 2020, Clear varnished pigment print mounted on Dibond, poly-finished MDF, 40 x 35 x 5 inches
Yellow circle-Olympic kayak, 2020, Valchromat, pigment print, Dibond, wood, 30-inch diameter. Photo by Object Studies
Untitled_Landscapes High and Dry, 2020, Clear varnished pigment print mounted on Dibond, 45 x 30 inches
Night window, Salton Sea (Broken screen), 2020, Pigment print mounted on Dibond, 15 x 22 inches. Photo by Object Studies
Landscape in the night sky, 2020, Wood, brass, aluminum, stainless steel, copper, 45 x 20 x 10 inches. Photo by Object Studies.
In my private composition, 2020, Graphite, wood, brass, copper, stainless steel, painted plaster, Valchromat, 16 x 30 x 14 inches. Photo by Object Studies.
There’s our past, 2020, Painted plaster, Valchromat, archival pigment print, polished solid graphite, 14 x 26 x 7 inches. Photo by Object Studies.
Red horse jump, 2020, Painted plaster, Valchromat, dyed horse whip, 22 x 27 x 24 inches. Photo by Object Studies.
Dinner table on pechka, 2020, Valchromat, painted plaster, painted aqua resin, museum wax, archival pigment print mounted on Dibond, butcher’s glove, found postcard, driftwood, 21 x 26 x 24 inches. Photo by Object Studies.
Mount St. Helens, 2020, Archival pigment print mounted on Dibond, Valchromat, painted plaster, Optium acrylic, 25 x 18 x 10 inches. Photo by Object Studies.
Installation view of Myeongsoo Kim: Mother-Land, CUE Art Foundation, New York, NY, 2020. Photo by Object Studies.
Installation view of Myeongsoo Kim: Mother-Land, CUE Art Foundation, New York, NY, 2020. Photo by Object Studies.
Installation view of Myeongsoo Kim: Mother-Land, CUE Art Foundation, New York, NY, 2020. Photo by Object Studies.
Installation view of Myeongsoo Kim: Mother-Land, CUE Art Foundation, New York, NY, 2020. Photo by Object Studies.
Installation view of Myeongsoo Kim: Mother-Land, CUE Art Foundation, New York, NY, 2020. Photo by Object Studies.
Installation view of Myeongsoo Kim: Mother-Land, CUE Art Foundation, New York, NY, 2020. Photo by Object Studies.